"I pursued an interview with a bunch of masked dudes packing machetes"
By: Xander Dunlap | Photo: Pod
If you’re not familiar with the Mexican death metal band Brujeria, rumor has it that they’re narcotic-trafficking, Satanic, anti-Catholic revolutionaries. Whether or not this is true, Brujeria thrash in solidarity with indigenous Mexican struggles against the repressive Mexican government. They’ve been suspected of partaking in the narcotics industry, which is historically a trade that operates in impoverished and sanctioned communities as a means of survival.
Nonetheless, it’s a violent and bloody trade, probably due to clashes with CIA drug routes and competing cartels. The members of Brujeria cover their faces with ski-masks and bandanas at shows to avoid potential identification by state agencies looking into their previous “business transactions,” or maybe even unsolved murders. But suspected pastimes aside, Brujeria play with an intense, violent brutality that, with the right crowd, would probably result in politicians being hung from lamp posts.
As expected, the Portland show was fucking sick. Violent blast-beats, machetes, and suspected masked drug dealers singing in Spanish—what more could you ask for? After the show, drenched in sweat and slightly battered, I pursued an interview with a bunch of masked dudes packing machetes. Brujeria consists of an unknown number of mysterious rotating band members, but the aliases of the members who played tonight are El Brujo (vocals), Fantasma (vocals), Hongo (Guitar), El Cynico (Bass), and Podrido (Drums).
After reminiscing about skateboarding and how Black Flag, Code of Honor, Negative Approach, and other skate rock bands played a substantial role in Brujeria’s inspiration, Fantasma—who’s wearing a Black Label sweatshirt— admits that the song “La Migra” is based on lots of Black Flag beats and riffs. In fact, Fantasma’s first memorable skateboard was the Black Flag Skull Skates board. He had a Z-Flex in the late ’70s, too.
The song “Anti-Castro” has received a fair amount of criticism, considering the pro-Zapatista and revolutionary agenda within the band. However, according to Fantasma, who lived in Cuba a couple years after Castro’s rise to power, it soon became clear that the state of affairs was “more about the Soviets and less about dethroning a dictator.” In other words, the Cuban revolutionary regime was about pleasing the communist regime in Soviet Russia—and soon there was no room for dissent. “If there’s no freedom or room to grow, you can’t use your mind in a creatively,” he says.
Although Fantasma recognizes the current accomplishments in Cuba (high literacy rates, health care, higher education), and remains proud of his Cuban heritage, he stresses the danger of eliminating speech and the right to voice dissent. He draws a comparison between the social control mechanisms of anti-Americanism during the Castro regime and the way the United States uses the term “terrorism” to ignite fears—especially against Mexican immigrants—under the US Patriot Act.
He also remembers and misses Thrasher’s Puss Zone.
Being a gnarly band of suspected drug lords, I thought it fit to ask them about the drug and border violence occurring between the United Skates and Mexico, and how it affects the band.
“What gets through, gets through, good and bad,” says El Brujo. “It’s all the same for us. Everyone is in on it, even the police. Everyone is worked in and gets paid off.”
This led to a series of stories about run-ins with border patrols, los Federales, and the Mexican military—throwing joints out the window at surprise check-points, then getting let off by Texas agents in exchange for autographs. One time, a soldier at the border fanned out on the band and shouted, “Matando Gueros!” It seems like anyone else would have a nervous breakdown at these check-points, but El Brujo and the others laugh when they tell me about how the police treat the band: “Cops bring us weed when they find out we’re in Mexico,” he says. “You know, a couple pounds with seeds and trimmings. They had probably just confiscated it.”
9/26/2016Trip Metal. Psycho Jazz. Wolf Eyes. Get to know the band and hear their tale of playing a party for the Church of Satan.
9/26/2016Danny Way sits down with Slightly Stoopid to talk about growing up in San Diego, skating, and their music.
9/26/2016Make your way to Seattle Oct. 1st for the third Larb Fest featuring bands, zines, and skating.
9/26/2016Vegas hosted an an event of predominantly psyche/stoner/doom metal and its various offshoots. Check out some photos here.
9/26/2016Guitars crafted out of old skateboards, played by Tommy G. What’s not to love?
9/26/2016Berserktown 3 hit Los Angeles last weekend and it was a fun mess. All three days seemed like one never-ending show so here are a bunch of photos from everything.
9/26/2016Black Dave rips on the microphone just as hard as on his board. We talked to him about his music at our Death Match event a while ago.
9/26/2016Gordon Gano of the Violent Femmes adds it all up in this interview from our August issue.
9/26/2016J Rog kicks off his latest sonic adventure with this video. Check it and then stream the whole album. The contact barrier has been broken!
9/26/2016Take a stroll around NYC in Pink Mexico's new video for "Buzz Kill."