Posted: August 18, 2010 2:00 pm
Sweatin' The Cayman
In between massive rain showers, Sean Malto and Chaz Ortiz sweated it out down in the Cayman Islands.
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It's "only" a two-trick line but it's a sick and wild one.
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Category: Firing Line
Posted: May 22, 2013 10:28 am
This shared part captures slams, makes, outtakes, and random everyday stuff. Jason Jessee introduces a classic from the 1991 SMA video.
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Category: Classics
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This downhill line has a great flow and Zered ends it with a switch hill bomb.
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Category: Firing Line
Posted: May 20, 2013 9:26 am
He attacks the gnarliest spots, his flip tricks have a rad snap, and he likes to skate really fast. This part is absolutely rock solid.
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Category: Other
Posted: May 17, 2013 8:32 am
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Category: Other
Posted: May 9, 2013 11:59 pm
You want SKATE AND DESTROY? Well, here you go...
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Category: Other
Posted: April 12, 2013 1:47 pm
Skate Rock survivor Sean Gutierrez down for life takes one on a picnic table you're glad you weren't having your lunch at. —Phelps
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Category: Hall of Meat
Posted: March 7, 2013 1:51 pm
Trick selection, style, spots, and the act of pushing and rolling. Lines are a skater's showcase, and this highlight reel is amazing.
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Category: Firing Line
Posted: December 23, 2012 11:59 pm
| Wild in the Parks North America May 22 |
| CAMTEST Arvada, CO May 25 |
| Dickies Midwest Trip Midwest May 27 |
| Few and the Far Skate Jam Sacramento, CA Jun 01 |
| Cuates & The Budrows Jun 09 |
In This IssueFree Ambig Modern Art DVD included with every mag in which Clint Walker more than earns his newfound pro status and the rest of the Ambig team backs it up with post-modern madness. Fast forward to the mag and dive into 14 pages of freeze frame Clint Walker gnarlitude securing him a spot as one of the heaviest dudes out. T-Puds goes high tech in China; Volcom and Co. bring the heat to Peru and Argentina; Converse tours through TX on the way to the Thrasher/Cons SXSW TX Death Match; and Clive Dixon and Raney Beres prove the future of rad is nothing to worry about. Score This Mag For Free
