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Author Topic: Skate Video Raps mix  (Read 2744 times)
the redline
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« on: November 29, 2008, 08:00:58 PM »

I'm making a mix of good rap tracks from videos...here's what I have so far:

Bakin' Soda In Minnesota- Andre Nickatina (Baker)
U Got a Problem?- Ludacris (Baker)
24 Hours- Freddy "Bumpy Knuckles" Foxxx (Photosynthesis)
Get Retarded- Can-I-Bus (Transmission 7)
1980- Dirt Nasty (Beauty and the Beast...recent entry)
Worldwide- Royal Flush (Mouse...not the instrumental)

Any other ideas?
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lazlow
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« Reply #1 on: November 29, 2008, 08:03:10 PM »

some aesop rock?
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the redline
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« Reply #2 on: November 29, 2008, 08:12:36 PM »

Real Big- Mannie Fresh (Fully Flared)

Which Aesop Rock song?

Also, what was "I Can't Do Nothing For Ya Man" by Public Enemy used in?
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Thee Gnartical Adventure
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« Reply #3 on: December 05, 2008, 05:55:56 PM »

Real Big- Mannie Fresh (Fully Flared)

are you trolling?
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I was playing COD:WOW & I told this one guy to stop being a little bitch. Well, I wasn't aware that this douche lived down the street and he busted into my friend's place & pulled a gun on us. The fucker didn't realize that he was outnumbered so we took his gun & threw his ass out.
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« Reply #4 on: December 05, 2008, 06:08:34 PM »

anybody down with the infamous mobb deep? their old shit was good then they went to g unit and well its all down hill from their

  one of their best albums as far as rap im down with the Wu Tang Clan,Geto Boys,Snoop Dog(his old death row shit)Dr.Dre(The Chronic is one of the greatest rap albums of all time)N.W.A(all the late 90's west coast rap was the shit),Nas(dude has fell off hard but his early shit is classic) and of course the Notorious B.I.G(classic one of the best lyricists to ever exist)
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guna2009
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« Reply #5 on: December 16, 2009, 01:14:24 AM »

Now the Institute of Contemporary Art in Boston has organized the first museum exhibit of Fairey’s art. The exhibit of screen prints, stencils, stickers, illustrations and works on wood, metal and canvas showcases Fairey’s favourite subjects: portraits of countercultural revolutionaries, politicians, mainstream heroes and punk, rap and rock musicians.

All of the art appears in Fairey’s signature style of black, red and off-white graphics, which samples and recycles motifs from the Russian Revolution, Mao’s China and W.P.A. propaganda posters. There’s also a nod to Andy Warhol’s portrait art. The work is often multilayered and collaged with wallpaper patterns, stock certificates, stamps and the like. Given Fairey’s primary reputation as a street artist, the big surprise is encountering these labor-intensive pieces in person and discovering how drop-dead beautiful they are.

The night of his ICA opening, Fairey was picked up by the police for his citywide campaign of urban graffiti (condoned by the institute as part of the exhibit). Simultaneously, several prestigious art critics chastised him for losing his “street cred” by agreeing to design Saks Fifth Avenue’s windows and shopping bags in New York City. And he is being sued for abuse of the “fair use” copyright law by Mannie Garcia, the freelance photojournalist who took the original HOPE photograph of Obama in 2006 while the latter was listening to Sen. Sam Brownback of Kansas at a conference.

None of this seems to intimidate Fairey. He has been arrested more than a dozen times in his career for invading environments with his posters and street art. From the start, he unabashedly worked as an independent designer for corporate clients. He’s now countersuing Garcia, explaining that he found the unidentified photo on the Web.

Fairey’s work operates at the intersection of beauty, politics and advertising, producing a collision of ideas and imagery. He’s an artist who believes there are issues worth advancing, and he’s not afraid to use visual pleasure for politically seductive purposes. More unforgivable in the art world is the populist appeal of his art, which is something that always makes the intellectual powers-that-be suspicious.
Fairey writes in his museum catalog that early on, he was adamant that “people should not submit to any attempts to herd and manipulate them.” At age 19, while a student at the Rhode Island School of Design, he began making black-and-white stickers of the deceased wrestler Andre the Giant, whom he admired for having overcome adversity. He pasted them around town as a lark.
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anabolic steroids
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the WORMER
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« Reply #6 on: December 16, 2009, 11:23:28 PM »

souls of mischief- 93 till infinity

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pak pak pak

"I HAD 5 INFANTRY AND 1 PLANE. FETUS DONE SWITCHED UP ON ME. "
polly@bbt
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« Reply #7 on: December 17, 2009, 12:37:23 AM »

that 2pac song that was in the baker promo video.....
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skatenerd
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« Reply #8 on: December 17, 2009, 04:12:00 PM »

Thrasher:Skate and Destroy, Grind Session, EA Skate, and THPS video game soundtracks.
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Sex robot focuses on appealing to the mind.
polly@bbt
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« Reply #9 on: December 17, 2009, 05:54:32 PM »

oh yeah and imaginary places by busdriver is a goodie, I think.
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the WORMER
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« Reply #10 on: December 18, 2009, 07:01:53 PM »

if we're counting video games then Cannibal Ox - Iron Galaxy
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pak pak pak

"I HAD 5 INFANTRY AND 1 PLANE. FETUS DONE SWITCHED UP ON ME. "
skatenerd
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« Reply #11 on: December 18, 2009, 10:16:21 PM »

I remember when running around off my board in THUG was fucking amazing
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Sex robot focuses on appealing to the mind.
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