Hank Wood and the Hammerheads Interview
Cowbells, keyboards and ‘tude. Hank Wood and the Hammerheads broke the mold with their first album Go Home! and after a short hiatus followed it up with Stay Home! Both albums rip and are some of the best, new original shit to come out in a while. The guys took a minute to talk about city living, their music and Internet haters. If you can’t appreciate how good their music is, go the fuck home. —Jordan Joseffer
This is your guys’ first time playing California. What brings you guys out here?
Logan (Guitar): We’re here to play a benefit for the Sam Vincent Foundation. Sam was a good friend to many people, who unfortunately, we lost way to soon. We're excited to do another benefit show in Oakland in addition to the ones we've done back in New York, and we're even more excited to see the foundation grow with each passing year. The foundation gets inner-city youth into culinary-career training.
There’s been tons of rad shit coming out of New York lately. How would you describe the current scene out there?
Hank (Vocals): It’s all cool ‘cause most of us all grew up together in the city, and there wasn’t really anything going on when we were all coming up. So we kind of put this together, and now it’s blowing up like crazy. I don’t know if that’s necessarily a good thing or a bad thing.
Emil (Percussions): All of the main bands from the scene that are being talked about now are, like, all the same members, too. So it’s like a really small knit circuit that’s surrounded by newer bands that are being influenced by these current styles—whatever they happen to be.
H: It’s a very, very tight-knit group of friends that kind of do everything—then masses of spectators.
L: It’s been the same people, and we’ve been doing it for a while. It’s not like we just started doing this. We grew up together playing in bad bands that didn’t do anything. We’ve been doing this together, and now it’s just at the point that we can put stuff out that’s not bad. We’re a little older so we know what to do.
Do you guys like New York? It seems like you hate it in some songs.
H: It’s a nightmare. It’s a horrible place. It’s insanely expensive. It’s not worth living there.
L: Twenty-four-hour beer. You can get anything you want when you want it.
H: Yeah, you can get a sandwich 24 hours, which is cool.
L: I just can’t imagine living anywhere else. Never bored.
H: For us, we all live there. We have ties and obligations to the city, so we’re stuck there. But what always kind of stupefies me is people keep moving there. I can’t imagine why anybody would move to New York. It’s not nice. You pay up the wazoo to live in a little tiny shithole in the middle of nowhere. It’s romantic to a lot of people. I guess New York City will always be romantic to move to, but it’s fuckin’ completely retarded.
What makes you mad?
All: New York!
Who’s the most overrated punk band?
Go Home! came out in 2012, but it seems like it took a couple years before it started gaining recognition.
H: We kind of don’t have very much going as far as promotion or distribution.
L: There’s only so much ‘cause we print these records ourselves, and every release pays for the next one and the next re-issue. So it takes a little bit of time. We can only crank so many out at a time.
E: Yo, shout out to Alex Heir and John at Toxic State who put together so much of this shit and helped do all of the handmade shit.
So now you got Stay Home! out right now. I just listened to it this morning and it’s fuckin’ sick.
Max (Drums): Out right fuckin’ now—as we speak.
H: It’s funny you say that, because Go Home! isn’t really getting big out here ’til now, and to me this new record is light years ahead. As far as development of music, writing and all of us coming together.
L: Not to say that the first one was effortless and we shat it out.
E: This is light years more work. Everyone brought something really specific to the table and worked together in a really intimate way for a long-ass time.
Kevin (Bass): I think that kind of came out from us not playing for a bit. Then people started showing up.
M: It was really easy to break up right when Go Home! came out. Then a couple months later, people were like, “Are you stupid? Why are you not playing anymore?”
L: It wasn’t a marketing scheme. It wasn’t a fake break up.
H: It is a sick marketing scheme. It wasn’t purposeful, but if you want to have really big shows where people come out and are really excited, just keep telling them it’s the last one.
There a lot of talk of ghosts on the new record. Have you had paranormal experiences?
H: I actually can’t go into that right now.
L: It’s slang.
Your album art is graffiti art. Are you guys taggers?
L: Our manager is. He does all of the artwork.
Hueso (Manager): Yeah, yeah. They put me on and wanted me to do it, and like everything I do it’s, like, illegal. Ah, shit. I don’t know what to say.
H: The point is: we all grew up in the city surrounded by graffiti. It’s also about being stuck in this nightmare entrapment. It’s a metaphor for life. Graffiti is important to us for how we see New York.
L: When you grow up walking to school and seeing the same tags for 20 years, it kind of gets stuck in your brain.
Hueso: It’s a New York thing and we’re fuckin’ New Yorkers.
The lie, cheat and steal ethos comes through on the album. If you were a mentor, what advice would you give to a ten-year-old?
All: Stay home!
H: Be you; do your fuckin’ thing. Don’t bite anybody else. Don’t worry about what anybody else is doing. Don’t be in a fuckin’ raw punk band. If you want to be in a cool band, don’t try to sound like another band.
L: Start a band, not a project.
There’s a little controversy with you guys. A lot people are mad at you guys on the Internet, but has anybody confronted you guys face to face?
H: Yeah, you right now. That’s it. I don’t have a computer. I don’t have any Internet. It’s funny to me because people talk shit but I don’t even hear it. Nobody says anything to me, so I don’t even know that I did anything wrong or that anyone is upset about it. I don’t even know what you’re talking about.
Hueso: Tell the Internet to come through, man. We’ll take care of them.
Do you have any messages for Internet people who are upset?
H: Come see me.
Any shout outs?
All: Toxic State crew, Alex Heir, Smart crew, Future Vibrator, ZV crew, Blazing Eye and East Seventh. Big shout out to The Sam Vincent Foundation for having us out here, and we can’t wait for next year.
Catch Hank Wood and the Hammerheads August 11th in Oakland at the Sam Vincent Foundation benefit show.
8/17/2022Australia's Skegss are the reverb drenched summer soundtrack you need. Read the exclusive Thrasher interview.
8/17/2022The music of Beirut has been featured in many skate vids over the years, most notably in Mark Suciu’s “Verso” masterpiece. Mark caught up with Zach Condon, the man behind the band, in this exclusive interview.
8/17/2022Angels & Airwaves was born out of Tom DeLonge leaving Blink-182. Here he talks about charting that band’s own path along with his thoughts on skating and UFOs.
8/17/2022Using musical chemistry, the band members of Greta Van Fleet extract the essence of various classic rock anthems. They combine the parts they like and create a sound all their own. These guys truly rock and roll.
8/17/2022The term "musical prodigy" doesn't quite capture the bass-playing abilities of Mononeon. It's more accurate to say he's one of the best to ever pick up the instrument. See for yourself.
8/17/2022Animal Collective blew up in the skate world when their song was used in Jake Johnson's Mind Field part—which is regarded as a masterpiece of skating/editing/music. The band's unique legacy and sound has only gotten stronger in the following years.
8/17/2022Thurston is a founding member of Sonic Youth and a guitar virtuoso. His various projects have created a rich musical legacy. He also has deep roots with skating and video-making. Here he describes the mutual affection between skating and his music.
8/17/2022Welcome gets the singer from Soft Kill on the line to discuss music, addiction and their recent collaboration.
8/17/2022During his 30-year career, R.A. has occupied both the spotlight and the status of an underground hip-hop legend. His song "Uncommon Valor" is regarded as a lyrcial masterpiece and he shows no signs of stopping.
8/17/2022After millions of album sales since the mid-90s, Third Eye Blind frontman Stephan Jenkins continues to make music without compromise or concern about radio hits and pop charts. He features Cher Strauberry in his newest video and she sat with him for an interview.