Posted: March 11th, 2010
"This one band has contracts that say they have to get their hair cut"
Interview & Photo: Scotty McDonald
It’s a brave new world and there’s nothing to be scared of. As if it wasn’t already painfully obvious, the tired conversation about how the Internet’s going to shape the music industry is dead and over. Surfer Blood is of a new generation of bands that don’t have the good old days to whine nostalgically about, and have fully embraced the world as it is today. Low and behold, it’s working out for them very nicely. Surfer Blood consist of Thomas Fekete, Tyler Schwarz, Marcos Marchesani, John Paul Pitts, and Brian Black. Their debut album, Astro Coast, is out on Kanine Records.
I’m just trying to get the time line right—it didn’t look like you guys had done that much, and then all of the sudden there was this tidal wave of touring and blogging and Pitchfork and CMJ.
JP: The record has been done for about six months. We spent forever tweaking it and then one day they had an intervention and said, “Okay JP, you need to stop turning knobs. It sounds great, let’s just put it out.”
Tom: JP would kind of disappear for a while, sat in his cave on Adoral tweaking shit.
Every day I’d hear a different version and finally we decided it’s done.
But the band isn’t even that old. Like, it isn’t much older than the album.
JP: Some of these songs go back as early as 2006, but it started coming together around January of this year. We started recording hard in my apartment whenever we got the chance. We’ve never really legitimately released anything before. We got together with the mind-set that we were going to tour; we’re going to put this record out and that’s it, that’s what we we’re going to do.
That was driven and purposeful?
Tom: Yeah. We did this 30-date self-booked tour. By the time we were in New York, Pitchfork had forecasted us. It was just crazy. We played the Charleston in New York to like two people and then the next night we had like 75 or 80 people there because Pitchfork had written about us. Then we met our label, Kanine. They don’t have a huge roster so they aren’t completely overwhelmed. We met with Columbia records and all these other people, but we were like, “Fuck all that.”
JP: When we met with Columbia, we walked into the office and automatically we were like, “This isn’t for us. I seriously doubt this guy even likes this type of music or would know how to market this type of music.”
Tom: There’s a band from West Palm who’s signed to Columbia that has contractual haircuts. I’m dead serious. This one band has contracts that say they have to get their hair cut. They have to use a certain acne medication, like really strong acne medication.
Because they want to be heartthrobs?
Tom: Yeah, and I’m pretty sure they have to eat Burger King on tour because Burger King somehow sponsors them.
So they have the acne medication to counteract the Burger King.
JP: It seems really defeatist from the start; kind of poorly thought out.
Since you guys don’t have the good old days to reminisce about and this is what the music industry is going to be like, are there things that you like about it?
JP: It’s a double-edged sword. Everyone downloads music illegally, and because they do, you go to a show and you see 15 kids in the front row singing every word to your song. And I know I didn’t sell a CD to those people—our record’s not out yet. How did they happen to know the words to all these songs?
Tom: Not to mention there’s a ton of really rad bands that are touring now and getting signed, it’s just stuff that you would never really imagine. You definitely have to work harder, but touring is what we like to do.
JP: You can bitch or make the best of it.
Tom: We like to tour, and that’s how we’re going to make a living.
That and vinyl sales.
Tom: Here’s the craziest shit—we played a show and one person saw us and Twittered about us, and that guy happened to know someone at Pitchfork and they read the Twitter. Then the next day we got label offers. So that can happen now.
Because of Twitter?
Tom: Because of Twitter, which is something we made fun of. Now we’re addicted to it.
JP: Now we’re updating two or three times a day. It sucks you in.
Sarah Palin is big into Twitter.
Tom: And now Pitchfork is following us on Twitter, so I keep Twittering about bands that I really like.
You’ve seen the man behind the curtain, you’re sending personal messages to him.
6/06/2020Hacksaw's music is not here for your enjoyment. It exists to pummel you into submission. We caught up with these heavy noise makers, but we were particularly curious about guitarist/skater Mike Hell's perspective and ethics of eating garbage straight from the can.
6/06/2020Musical act Cobra Man was conceived from the fire of skate videos but it has now grown into its own groovy, dance-music monster. The band's DNA is shared with the skate pscyhos over at Worble and their tunes are hot and heavy throughout the new vid Party Destroyer.
6/06/2020Blending genres of different musical eras, Sophie Allison AKA "Soccer Mommy" has crafted her own unique sound. She's a true songwriter and Atiba Jefferson had the honor of directing her latest video which, of course, involves skating.
6/06/2020Selling 85 million albums worldwide is quite an accomplishment. But Pearl Jam bassist Jeff Ament has another epic legacy. He has been pivotal in getting skateparks built in underserved rural areas including many Native American reservations. Here he talks about his roots in music and skating.
6/06/2020If you’re near the Netherlands this month, make sure you get over to Skatepark Noord’s Grind and Slam event for a damn good time skating and circle-pitting to Vitamin X and Kaak. Check the crucial details on the flyer and learn the 24-hour clock while you’re at it.
6/06/2020As many of you know, on March 6th the City of Austin issued a disaster declaration, cancelling SXSW in light of concerns relating to the COVID-19 virus. As a result, the Death Match on March 19-21 has been cancelled.
6/06/2020The mysterious performer Orville Peck has managed to draw a dedicated following ranging from country fans, punks, pop enthusiasts and everyone in between. Writing from the heart and keeping showmanship a priority has proven to be a successful combination. We were stoked to hear he's down with the mag.
6/06/2020A floating punk-rock festival adrift in the high seas? Walk the plank! Flogging Molly has hosted this epic cruise several times and this year they added skating to the mix. This feature includes interviews with Steve Caballero, Matt Hensley, Pennywise, Stiff Little Fingers, and Pegboy.
6/06/2020Beatrice strikes through the car-lit streets of NYC in this FourAM music video directed by Giovanni Reda.
6/06/2020Last weekend Andy Gill of Gang of Four passed away at the age of 64. We were lucky enough to interview him recently to talk about music. Check out this interview from the May 2019 issue.